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This is an earlyish work for Radford and quite different from his current output
so this is likely to be a one and only appearance at P & H
innocent enough for the times but in the context of what sophisticated society knew of 1920s Capri
Perfect for an Ayrshire manse with a gap over the chimneypiece
Unkind words such as ‘dirgy’ and ‘depressing’ are bandied about and there is general agreement that this is a ‘Matthew’ picture
Figure in Pink Still Lifes This is an earlyish work
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